New plein air painting from Victor Idaho

 

 Learning new limited watercolor palettes.

 1. Top left. Nickel Azo Yellow. Permanent Alizarin Crimson. Phthalo Blue. All Staining pigments. 

 2. Bottom left. Permanent Yellow Deep. Transparent Orange. Naphtha Red. Cobalt Blue.  

 3. Top Right.  Transparent Brilliant Orange. Yellow Ocher. Burnt Sienna. Cobalt Teal. 

 4. Bottom Right. Azo Yellow. Permanent Rose. Cobalt Blue.  A soft delicate triad. 

Painting title: St Anthony Idaho Tetons.
Gouache has a great versatility in preparing studies for larger paintings  

The above 5x7 Painting was created with just four gouache pigments. Cadmium yellow pale, Venetian Red, Cobalt blue and Titanium White. 

Beginning with a line drawing for placement and moving to value studies is a great support before starting the color study.  

 Analogous color scheme of Orange, Yellow, Yellow Green Green Blue green and a small compliment of red. 

Value plan from top down are: Middle light dark. From the bushes are middle, light dark. Patterns in values create a strong unity in painting. 

This Painting medium is Gouache.

This resource is actually from a portion of my large painting, titled, Natures Playground Summer. 

I love limited palettes. Here is an example of the Old Masters palette (you can find on this blog). Value study, value chord, color study are a must.

I love limited palette

 Value Chords of a Limited Palette color scheme. Paynes Gray/Burnt Sienna/ Raw Sienna. I use Raw Sienna rather than Yellow Ocher because it is a transparent earth pigment. 

Also included is a Delicate Triad of the same resource. 

Always do a value study and chord.  

I use the Munsell Value System.

Lunch Break

Glazing technique with wet in wet wash.

Negative painting using two hues.

As we begin a new Winter Semester at BYU-I, one of the assignment we do is Negative Painting. This is a great way to see positive and negative shapes as a duality, also taught in Notan Principles.  You begin with a shape then using a high key mingled wash place in two pigments. This painting has Cobalt Teal and Raw Sienna a great combination. Let this mingled wash dry, then add more shapes of varying sizes and paint around these.  Note the creation of dark's the last step that goes behind the leaf shapes. This dark pattern is just off the center in design creating an informal balance.
These leaves come from my aspen tree just in front of my deck. It is early spring here in Idaho and the Robins are gathering in my aspen, ceder and long needle pine trees. It brings a lot of pleasure watching them hop from the ground to obtain ceder berries from off the bottom limbs. There are now two morning doves that have joined the chores of bird song. The earth is a place of great joy to my soul. If there was one thing I am very grateful for it is the earth, its creation is a wonder.