Glazing technique with wet in wet wash.
Wednesday, February 15, 2017
These leaves come from my aspen tree just in front of my deck. It is early spring here in Idaho and the Robins are gathering in my aspen, ceder and long needle pine trees. It brings a lot of pleasure watching them hop from the ground to obtain ceder berries from off the bottom limbs. There are now two morning doves that have joined the chores of bird song. The earth is a place of great joy to my soul. If there was one thing I am very grateful for it is the earth, its creation is a wonder.
Monday, August 10, 2015
Tuesday, November 25, 2014
- On a 140 lb. Arches Watercolor Paper, begin with wetting the paper with a good size watercolor brush (1 1/2" for a quarter sheet of paper, 3" watercolor brush for a full sheet) use the largest brush that you are comfortable with. Often times students use to small a brush in wet in wet washes.
- Be sure you have a good composition plan before you begin by sketching in your sketch book.
- Complete a watercolor value plan in black and white. Have passages of the light value area, middle value area ,and dark value areas. This creates patterns that unify and give structure to the painting.
- Have your pigment or hues you have chosen ready on the palette before you begin.
Step by step examples are forth coming.
Monday, September 15, 2014
Taggart Lake is a favorite family hiking area as well as Surprise Lake in the Grand Tetons in Wyoming. The Above painting is a watercolor palette of Cobalt Turquoise Light, Cobalt Blue and Nickle Azo Yellow. The red range from Winsor Red to Indian Red. A great day.
I love the striking white Granite rock in this area with the dynamic vertical pine.
Here is another view of Taggart Lake this painting is completed with an earth palette of Ultramarine Blue, Raw Sienna and Quinacridone Burnt Sienna. Logs and rocks are powerful patterns and unique underwater challenge.